Capturing the city's relentless energy and vibrancy of São Paulo, filmmaker Caetano's unflinching drama zooms in on those who inhabit the outskirts of an constantly evolving metropolis. Fresh out of juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) faces a critical turning point; abandoned by his parents, the wide-eyed young man seeks comfort in the arms of others.
On an evening out with his boisterous group of LGBTQ+ and gender non-conforming friends, Wellington meets Ronaldo (Ricardo Teodoro), a strapping, magnetic hustler more than twice his age. Bathed in the pulsating light of a XXX cinema, their initial encounter is intimate and charged, with an tinge of peril. Ronaldo promptly ushers Wellington to the clandestine realm of prostitution and selling drugs.
The film illustrates Wellington’s new life of crime with tender empathy as opposed to as a melodramatic morality play. Now using the alias Baby, he enters his commercial trysts with cocky bravado and touching naivety. To his customers, Wellington offers more than his youth and his body, but also moments of care.
In the hectic energy of São Paulo, filled with busy lanes and colourful shopfronts, there’s a gnawing loneliness, as rootless people hold fast to one another for fleeting joy.
"The city can be riddled with risk, yet they are where they can forge familial bonds, too."
Ronaldo is simultaneously a partner and a sheltering paternal presence to Wellington, but their relationship is derailed by jealousy and economic precarity. Dangers posed by shady figures in the criminal underworld are overshadowed by the fear of state surveillance and jail time, represented by the constant sight of police officers on patrol.
Baby is especially potent as a keen observation of the forgotten souls who have been failed by the social system. The film stands as a moving look into survival, found community, and the quest for purpose within a demanding urban landscape.
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Ryan Buck
Ryan Buck
Ryan Buck
Ryan Buck
Ryan Buck