It is a common warning in certain circles that jointly caring for a pet following a split is ill-advised. Experts frequently claim such arrangements prevent individuals from finding closure, cause practical headaches, fuel disputes, and are a nuisance across the board. Seemingly, as a development fit for a direct-to-platform film, it also makes our furry friends to become depressed.
Without minimizing the emotional well-being of dogs – countless people observe their profound sensitivity. To witness a standout portrayal in dog sorrow, consider a past film. There is little doubt that a dog of Merv's nature, a spirited little dog portrayed by Gus the Dog, would struggle adjusting to life in two homes. If this concept a full holiday film on such a setup works effectively is a questionable prospect.A Familiar Formula
Honestly, Merv, crafted by Dane Clark and Linsey Stewart and helmed by Jessica Swale, doesn't pretend to be anything more than what it is. It functions as a holiday release from a major tech-and-media conglomerate – the depth is limited. Its storyline unfolds as simple and direct: a separated couple Russ (Charlie Cox) and Anna, portrayed by Zooey Deschanel, confronting that their post-breakup gloom is matched by their dog's, decide on a uplifting getaway to a dog-friendly resort. Once there, as expected, they will surely rediscover the idea that they belong with each other. The supporting cast – featuring a group of comedic actors – serve as eccentric, underutilized, or over-the-top. The film's look is reminiscent of a streaming service original, with a wintry atmosphere that is obviously artificial – exemplified by flurries surrounding lush pines as North Carolina stands in for a wintery Boston.
The Canine Charisma
How these predictable parts merge into a pleasant experience rests upon the strength of the performances and an acceptance of easy entertainment. Regarding the second aspect, Merv hones in on a demographic – individuals who scroll endlessly for cute animal clips. Audiences receive a plethora of canine-centric sequences. The primary selling point is the dog, and though it results in some clunky cuts between animal action and people's faces, the movie succeeds in showing canine party antics, canine sorrow, and, in the end, a tail-wagging resolution.
The Two-Legged Cast
This level of success is not earned for the interpersonal drama. Its style wavers between serious study, zany antics, predictable love story, and silly gags, failing to master a single genre. This is not Cox's performance, who is admirably committed the silliness and cringe inherent in the bizarre setting. Cox exhibits a charming humility that provides the bulk of the chemistry for this ostensibly perfect couple. Her co-star Deschanel, true to her usual style, imparts a distinctive offbeat energy that will be to your taste or not. Her Anna can feel a touch too detached, particularly when paired with Cox's heartfelt sincerity. (It should be noted, the canine performer is convincing at looking despondent – not quite Messi from that acclaimed drama, he remains an excellent dog.)
The story strives to provide depth to the couple's history for scenes without their pet – which is unfortunate, since Merv is undoubtedly the most adorable aspect of this feel-good picture. Unsurprisingly, it meets the bare minimum. The reason for their separation would feel more grounded and mature with more screen time and fewer direct statements. Ultimately, Merv is light and sugary, meeting precisely what you anticipate. Crafting a story about dog co-parenting has potential – but it's hardly a stroke of genius.
- Merv streams on Amazon Prime Video this December.
